Akademie für Alte Musik Berlin

The 'Brandenburg Concertos' served as an 'letter of application' for Bach, a kind of certification of his musical abilities. He was employed by the Prince of Anhalt-Köthen, not bad going; but the ambitious Bach wanted more: a large orchestra, better musicians and a higher salary. A few years previously, the Margrave of Brandenburg had favourably praised some of the pieces that Bach had played for him. The Count had a penchant for all things artistic and was extremely knowledgeable about what was on offer on the musical markets. Bach put his best foot forward, and gathered together a series of existing concertos with different arrangements and sent them to the Count. Bach didn't secure himself employment as such, but the concertos have made legends of both him and the Count. This does not come as a surprise because these sparkling and vibrant concertos offer the soloists and the orchestra every opportunity to shine. The musicians of the Akademie für Alte Musik Berlin excel in their lively timbres and impeccable intonation. Playing without a conductor, they have developed an exceptionally sensitive ear for orchestral balance; something that requires endless rehearsal and strong individual musicianship. This is ensemble playing of the highest calibre!