GEANNULEERD Kammerakademie Potsdam / Kristian Bezuidenhout
Mozart and Mendelssohn with Alina Ibragimova
Bezuidenhout and Ibragimova ignite a night of dialogue, daring, and virtuosity in music
Kristian Bezuidenhout and Alina Ibragimova dive into the energy of young brilliance. Mozart was eighteen when he wrote his brutal Symphony No. 16, Mendelssohn just fifteen when he composed his Double Concerto for Violin and Piano. Their music is bursting with courage, experimentation and virtuosity – and who better than Bezuidenhout to conduct this youthful storm?
As one of today’s most visionary Mozart interpreters, Bezuidenhout brings the composer to life: directly, intensely and uncompromisingly. With the Kammerakademie Potsdam at his side, he both conducts the evening and shines as a soloist in Mozart’s deeply dramatic Piano Concerto No. 4, a work that is as dark as it is brilliant. Ibragimova, celebrated for her intense, introspective playing and unconventional interpretations, joins him for a wildly exciting dialogue between their instruments in Mendelssohn's rarely performed Double Concerto. Bezuidenhout conducts, inspires and challenges.
As one of today’s most visionary Mozart interpreters, Bezuidenhout brings the composer to life: directly, intensely and uncompromisingly. With the Kammerakademie Potsdam at his side, he both conducts the evening and shines as a soloist in Mozart’s deeply dramatic Piano Concerto No. 4, a work that is as dark as it is brilliant. Ibragimova, celebrated for her intense, introspective playing and unconventional interpretations, joins him for a wildly exciting dialogue between their instruments in Mendelssohn's rarely performed Double Concerto. Bezuidenhout conducts, inspires and challenges.
Works
Symfonie nr 26 in Es, KV184
Concerto voor viool, piano en orkest in d
Concerto voor piano en orkest nr 24 in c, KV491
Credits
musical performance
muzikale leiding, piano
violin