Koor en Orkest Collegium Vocale Gent - Philippe Herreweghe
Jesu deine Passion
'Jesu deine Passion' is the first line of the closing chorale in Bach's cantata 'Sehet, wir gehn hinauf gen Jerusalem'. The words of this chorale might easily form the thread running through this varied and at first sight surprising and unexpected programme: the Passion of Jesus Christ as the ultimate redemption for each individual. Three of Bach's cantatas are brought face to face with a completely different approach to the subject in Lotti's 'Crucifixus', conceived as an independent motet and almost painfully intense. It is possible that the biggest discovery offered in this concert will be the concise but quite perfect motet 'Tristis est anima mea' by Johann Kuhnau, Bach's predecessor as the cantor at the Thomaskirche in Liepzig. His quite unusual use of Latin in a Lutheran context forced Kuhnau to return to a somewhat archaic style whose countless minor details nevertheless made it exceptionally communicative. Bach himself performed this piece many times and later, in his own motets, explored the expressive boundaries of the genre as Kuhnau had shown him.
Works
Cantate 'Herr Jesu Christ, wahr' Mensch und Gott', BWV127
Motet Crucifixus a 8 uit 'Credo'
Cantate 'Sehet, wir gehn hinauf gen Jerusalem', BWV159
Cantate 'Jesus nahm zu Sich die Zwölfe', BWV22
Motet 'Tistis est anima mea'
Cantate 'Du wahrer Gott und Davids Sohn', BWV23
Credits
music performance
musical direction
soprano
alto
tenor
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