Rotterdams Philharmonisch Orkest - Valery Gergiev

Rotterdam's Philharmonisch Orkest is just a fantastic and big orchestra. It seems nearly impossible for the musicians not to be in prime shape - under the baton of a personality such as Valery Gergiev. Following the spectacular 'bigger-than-life' programs of the last years, Gergiev and his orchestra are retreating to a cosier corner to produce work in the finest possible twentieth century lace. Not that we have to overdo it with the "cosy" aspect. The 'First Symphony' by Sibelius (1865-1957) does indeed exhibit the friendly and well-mannered traits that typify the Fin, but the abrupt change of moods and romantic outpourings give Gergiev all necessary space to give full rein to his frenetic temperament. The symphony is preceded by a symphonic poem. 'Pohjola's Daughter' (1906), taken from the Finish 'Kalevala' tales, like the frequently played 'Lemminkainen'. 'Pohjola's Daughter' was created in St. Petersburg, Gergiev's other homeport, around the time, when Sjostakovitsj was born. Finally, there is Stravinsky's (1882-1971) ballet Agon. The name indicates 'discord', but that is not explicit in the piece. Four times three antique dances produce an incredibly rippling ballet without script. Stravinsky connects diatonic sound with a serial structure - especially demanding in all its naked purism.