Anyone quickly walking past the work of Dieter Van Caneghem at the Young Makers Festival imagines they see nothing more than a capturing of Belgian architecture in black-and-white photography. But don’t be misled. With Belgium as a playing field and a set of clear rules, the photographer creates an entirely new landscape. Dieter Van Caneghem regards himself as an artist in between two worlds: the world of photography and the world of architecture. His fascination with provisional façades comes about during a study of detached houses in between the village centre and the outskirts of town in Belgium. He focuses his attention on precisely those façades that do not ask to be admired. This series was preceded by a long process. The analogue camera that Dieter Van Caneghem uses demands the necessary time. In addition, he imposes a number of rules on himself. He photographs every façade from the same distance, from the same height and in the same cloudy weather. This results in abstract forms that engage in dialogue with one another. With his photos Dieter Van Caneghem creates non-existent buildings and made-up ribbon development. The exhibition reads like a fresh interpretation of the architectural landscape.