In Josse Jnr., theatre-maker and performer Ahilan Ratnamohan, Josse De Pauw and Etuwe Bright Junior, investigate language learning and the inevitable power relations that arise from it. What can De Pauw's texts, stylistically so European and abstract, mean on another body? How can these texts and aesthetics - which by now have largely defined the Flemish canon - reach another poetry? Is Flemishness transferable? Who can become a star and under what conditions?